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Marching Into a New World Ghosts of El Grullo

A daughter of the American Revolution tea party? Me, a Chicana from south San Diego? You have got to be kidding! But the girls’ vice principal of Montgomery High School shook her head. No, she was not kidding. And so at a time when my world consisted of Slippin’ Into Darkness, Jeremiah the Bullfrog, Black Magic Woman and U.S. Out of Vietnam slogans, Mamá and I made our way to a mother-daughter DAR tea party to honor the award-winning senior girls of our school district. Our green Rambler groaned and then shifted into gear as we neared the ritzy part of town.

Reciting the Pledge of Allegiance, listening to an album of booming cannon balls, recognizing a vaguely familiar marching song, and sitting through a somber man’s voice offering a gloriously boring rendition of American Revolution highlights-Oh yes, thank you, I would love another cup of Earl Grey.

1973: My initiation into womanhood, into arguments with Papá: “Why can’t I live in the dorms?” I demanded, only to be blasted back with: “What, you a single woman living out of the house on your own? Don’t even think of it!” Into the world of the MEChA movement: “You are Mexicans,” I said to my parents one day, pointing at them with my Miss-Know-It-All finger. “But I am a Chicana.” Followed by a Marxist-Leninist philosophy embracing inherent contradictions and dialectical materialism (or something like that), while taking turns dancing with my Mexican heritage-those ghosts of my parents’ hometown of El Grullo and my American culture, even as Gibran’s The Prophet whispered in my ear that to “both bee and flower the giving and receiving of pleasure is a need and an ecstasy.” Alas! It was just me and Jonathan Livingston Seagull searching for enlightenment.

So what did you think of the tea party, I asked Mamá on our way home that afternoon of my senior year of high school. In her soft-spoken Spanish she told me that she thought it was lovely that they were honoring me. She was proud of me, proud that they were honoring me. But I had nothing to do with the American Revolution, I said. I was nowhere near the Plymouth Rock in the dawn’s early light. She looked at me a moment with that infinite patience I have come to appreciate in a mother with nine children and an impossible husband. Then she said: You have everything to do with the American Revolution, Mi’ja. And turning to look out the window, she added: Watch out for that blue car that’s zigzagging up ahead.

Patricia Santana is the author of Motorcycle Ride on the Sea of Tranquility (University of New Mexico Press, 2002) and Ghosts of El Grullo (University of New Mexico Press, 2008). Motorcycle is the winner of the 1999 Latino/Chicano Literary Contest and was selected as a Best Fiction Books for Young Adults by the American Library Association. San Diego Magazine awarded it Best Fiction of 2003. For more information, visit Patricia’s website at patriciasantana.net

My mother died a year after the DAR tea party, and I have often wondered how she knew that, yes, I had everything to do with the American Revolution. How did she know I would be a part of a women’s movement in honor of her and her mother and all the mothers that came before? How did she know that, unlike her, I would have choices about which university to attend, how many children to have, and how long before I left a toxic marriage? How did she know? But what a question, ¿verdad? Mothers always know best. Little could I imagine in 1973 at the age of 18 that attending the DAR tea party with my beloved mother was my start down the road to freedom of choices, a green rambler drive toward my own American revolution.

Ghosts of El Grullo is my fictionalized chronicle of those heady times when women were coming into their own, when our mothers stood back—both bewildered and impressed—as we daughters struggled and learned to take flight, or at least shifted into a higher gear.

By Patricia Santana

 

[This article has been edited for www.latinastyle.com. For the full version, check out the September/October issue of LATINA Style.]

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